A Long Weekend in Venice
Three dresses, one small bag, and the case for never checking luggage again.
Resort — Summer MMXXVI
Ruffles, florals and salt air. Thirty-two pieces for the very best days of the year.
Hello, sunshine
We make dresses for the good days. The ones that start with coffee on the deck and end barefoot at somebody's long table, still in the same dress, still perfectly happy.
— Bella La Vie
The favourites
The atelier
Every print starts as a painting on our studio table — gouache, a very fine brush and somebody's good afternoon. We engrave from the original, so the brushstrokes stay in. No two runs are ever exactly the same, and we like it that way.
Tiers are cut on the bias so they fall in a curve rather than a straight drop. It costs us nearly twice the cloth. It is also the entire reason the skirt moves the way it does when you turn around.
Hand-embroidered trims, covered buttons, ties long enough to actually tie. Pockets in almost everything, because a dress you cannot put your hands in is a dress you will not wear twice.
Piece no. 07
Our botanical print in ink on ivory — the one print we cut in black and white, because every summer wardrobe needs one dress that behaves. Cotton voile, puffed sleeve, four bias tiers, and pockets you will find on the second wearing.
The journal
Three dresses, one small bag, and the case for never checking luggage again.
Long tables, short notice, and the six things worth borrowing from your mother.
Breakfast to bonfire in the Flamingo Ruffle, with nothing but a belt and better shoes.
First look at new arrivals, and the occasional very good sale.